All Available Limited-editions
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gilded tides
Photographed at 7:14pm, Sunspill catches the water right when the light starts breaking apart on the surface and turning into scattered gold.
The darker waves keep it grounded, while the highlights give it that lit-from-within feel that makes the whole piece read more like mood than landscape.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Named for the time of day it was taken, when the water was still dark enough to hold some weight but already catching streaks of warm light.
The surface feels almost like fabric here—creased, moving, and lit in flashes of ochre and copper.
It’s a darker abstract, grounded and atmospheric, with just enough warmth running through it to keep the whole piece open.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Honey Baby was taken at 9:44pm on a warm summer night, when the last light had turned thick and golden and the water was holding onto all of it.
The surface breaks the reflection into bands of honey, blue, and amber, giving the whole piece a warmth that feels easy but still has some depth to it.
It’s an abstract coastal print with a softer edge—simple, glowing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Auric was taken at 21:27, in that small window when the day is starting to slip out but the water is still holding onto all the warmth.
The light lands in a long gold path across the surface, turning the whole scene into texture, movement, and glow more than anything literal.
It’s simple, warm, and a little hypnotic—an easy coastal piece that feels calm without disappearing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Obsidian was taken at 9:25, when the water had gone almost black and the last light was only catching in small flashes across the surface.
The darker tones give it some weight, but the gold keeps it open, so the whole piece lands somewhere between depth and glow.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Golden Hour was taken at 9:26pm, in that brief stretch when the light turns rich and low and the water starts carrying all of it back.
The surface shifts between gold, shadow, and movement, turning a simple moment into something almost abstract.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:57am, the surface folds over itself in deep blue-black tones, with streaks of copper light catching just enough to break through.
It feels elemental and a little cinematic—more like weather or mood than a literal seascape—and works as an abstract piece that brings depth, movement, and warmth into a room.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:23pm, when the light had started to drop and the water caught it in one long copper path.
The surface stays simple, but the color does a lot—shifting between blue, rust, gold, and glow depending on where your eye lands.
Warm, minimal, and just atmospheric enough to bring depth into a room without overcomplicating it.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
California gold
Photographed at 7:14pm, Sunspill catches the water right when the light starts breaking apart on the surface and turning into scattered gold.
The darker waves keep it grounded, while the highlights give it that lit-from-within feel that makes the whole piece read more like mood than landscape.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Named for the time of day it was taken, when the water was still dark enough to hold some weight but already catching streaks of warm light.
The surface feels almost like fabric here—creased, moving, and lit in flashes of ochre and copper.
It’s a darker abstract, grounded and atmospheric, with just enough warmth running through it to keep the whole piece open.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Honey Baby was taken at 9:44pm on a warm summer night, when the last light had turned thick and golden and the water was holding onto all of it.
The surface breaks the reflection into bands of honey, blue, and amber, giving the whole piece a warmth that feels easy but still has some depth to it.
It’s an abstract coastal print with a softer edge—simple, glowing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Auric was taken at 21:27, in that small window when the day is starting to slip out but the water is still holding onto all the warmth.
The light lands in a long gold path across the surface, turning the whole scene into texture, movement, and glow more than anything literal.
It’s simple, warm, and a little hypnotic—an easy coastal piece that feels calm without disappearing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Obsidian was taken at 9:25, when the water had gone almost black and the last light was only catching in small flashes across the surface.
The darker tones give it some weight, but the gold keeps it open, so the whole piece lands somewhere between depth and glow.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Golden Hour was taken at 9:26pm, in that brief stretch when the light turns rich and low and the water starts carrying all of it back.
The surface shifts between gold, shadow, and movement, turning a simple moment into something almost abstract.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:57am, the surface folds over itself in deep blue-black tones, with streaks of copper light catching just enough to break through.
It feels elemental and a little cinematic—more like weather or mood than a literal seascape—and works as an abstract piece that brings depth, movement, and warmth into a room.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:23pm, when the light had started to drop and the water caught it in one long copper path.
The surface stays simple, but the color does a lot—shifting between blue, rust, gold, and glow depending on where your eye lands.
Warm, minimal, and just atmospheric enough to bring depth into a room without overcomplicating it.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
salted ink
Photographed at 7:14pm, Sunspill catches the water right when the light starts breaking apart on the surface and turning into scattered gold.
The darker waves keep it grounded, while the highlights give it that lit-from-within feel that makes the whole piece read more like mood than landscape.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Named for the time of day it was taken, when the water was still dark enough to hold some weight but already catching streaks of warm light.
The surface feels almost like fabric here—creased, moving, and lit in flashes of ochre and copper.
It’s a darker abstract, grounded and atmospheric, with just enough warmth running through it to keep the whole piece open.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Honey Baby was taken at 9:44pm on a warm summer night, when the last light had turned thick and golden and the water was holding onto all of it.
The surface breaks the reflection into bands of honey, blue, and amber, giving the whole piece a warmth that feels easy but still has some depth to it.
It’s an abstract coastal print with a softer edge—simple, glowing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Auric was taken at 21:27, in that small window when the day is starting to slip out but the water is still holding onto all the warmth.
The light lands in a long gold path across the surface, turning the whole scene into texture, movement, and glow more than anything literal.
It’s simple, warm, and a little hypnotic—an easy coastal piece that feels calm without disappearing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Obsidian was taken at 9:25, when the water had gone almost black and the last light was only catching in small flashes across the surface.
The darker tones give it some weight, but the gold keeps it open, so the whole piece lands somewhere between depth and glow.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Golden Hour was taken at 9:26pm, in that brief stretch when the light turns rich and low and the water starts carrying all of it back.
The surface shifts between gold, shadow, and movement, turning a simple moment into something almost abstract.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:57am, the surface folds over itself in deep blue-black tones, with streaks of copper light catching just enough to break through.
It feels elemental and a little cinematic—more like weather or mood than a literal seascape—and works as an abstract piece that brings depth, movement, and warmth into a room.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:23pm, when the light had started to drop and the water caught it in one long copper path.
The surface stays simple, but the color does a lot—shifting between blue, rust, gold, and glow depending on where your eye lands.
Warm, minimal, and just atmospheric enough to bring depth into a room without overcomplicating it.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
coastal shadows
Photographed at 7:14pm, Sunspill catches the water right when the light starts breaking apart on the surface and turning into scattered gold.
The darker waves keep it grounded, while the highlights give it that lit-from-within feel that makes the whole piece read more like mood than landscape.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Named for the time of day it was taken, when the water was still dark enough to hold some weight but already catching streaks of warm light.
The surface feels almost like fabric here—creased, moving, and lit in flashes of ochre and copper.
It’s a darker abstract, grounded and atmospheric, with just enough warmth running through it to keep the whole piece open.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Honey Baby was taken at 9:44pm on a warm summer night, when the last light had turned thick and golden and the water was holding onto all of it.
The surface breaks the reflection into bands of honey, blue, and amber, giving the whole piece a warmth that feels easy but still has some depth to it.
It’s an abstract coastal print with a softer edge—simple, glowing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Auric was taken at 21:27, in that small window when the day is starting to slip out but the water is still holding onto all the warmth.
The light lands in a long gold path across the surface, turning the whole scene into texture, movement, and glow more than anything literal.
It’s simple, warm, and a little hypnotic—an easy coastal piece that feels calm without disappearing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Obsidian was taken at 9:25, when the water had gone almost black and the last light was only catching in small flashes across the surface.
The darker tones give it some weight, but the gold keeps it open, so the whole piece lands somewhere between depth and glow.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Golden Hour was taken at 9:26pm, in that brief stretch when the light turns rich and low and the water starts carrying all of it back.
The surface shifts between gold, shadow, and movement, turning a simple moment into something almost abstract.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:57am, the surface folds over itself in deep blue-black tones, with streaks of copper light catching just enough to break through.
It feels elemental and a little cinematic—more like weather or mood than a literal seascape—and works as an abstract piece that brings depth, movement, and warmth into a room.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:23pm, when the light had started to drop and the water caught it in one long copper path.
The surface stays simple, but the color does a lot—shifting between blue, rust, gold, and glow depending on where your eye lands.
Warm, minimal, and just atmospheric enough to bring depth into a room without overcomplicating it.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides