nothing staged. recorded on salt.
Salted Ink Collection
Halo was taken in Death Valley when the Badwater Basin salt flats flood and turn reflective enough to pull the mountains, sky, and people into the same plane.
The light formed a soft halo in the distance, which is where the piece gets its name, and the whole scene felt surreal in a way that was both unifying and peaceful.
It’s an open, atmospheric piece—less about the landscape as a landmark and more about that rare feeling of everything briefly holding together in one surface.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
Halo was taken in Death Valley when the Badwater Basin salt flats flood and turn reflective enough to pull the mountains, sky, and people into the same plane.
The light formed a soft halo in the distance, which is where the piece gets its name, and the whole scene felt surreal in a way that was both unifying and peaceful.
It’s an open, atmospheric piece—less about the landscape as a landmark and more about that rare feeling of everything briefly holding together in one surface.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
Salt Clouds was taken in Death Valley when the Badwater Basin salt flats flooded and turned reflective enough to hold the sky.
The whole scene felt surreal—mountains, clouds, and people pulled into the same surface, all of it flattened into light, space, and reflection.
There’s something deeply unifying about it, but also peaceful in a way that’s hard to explain until you’ve seen a landscape go that still.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
Salt Clouds was taken in Death Valley when the Badwater Basin salt flats flooded and turned reflective enough to hold the sky.
The whole scene felt surreal—mountains, clouds, and people pulled into the same surface, all of it flattened into light, space, and reflection.
There’s something deeply unifying about it, but also peaceful in a way that’s hard to explain until you’ve seen a landscape go that still.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
Expansion was taken in Death Valley, where the reflective surface pulls the sky, mountains, and one lone figure into the same frame.
There’s a feeling of scale to it, but also something more personal—the kind of moment where everything opens up and the landscape feels bigger than language.
It’s airy, spacious, and atmospheric, with a soft palette that brings light into a room without losing its depth.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
Expansion was taken in Death Valley, where the reflective surface pulls the sky, mountains, and one lone figure into the same frame.
There’s a feeling of scale to it, but also something more personal—the kind of moment where everything opens up and the landscape feels bigger than language.
It’s airy, spacious, and atmospheric, with a soft palette that brings light into a room without losing its depth.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
EACH PRINT IS PRODUCED USING ARCHIVAL PIGMENT INKS AND MUSEUM-GRADE MATERIALS FOR LONGEVITY, STABILITY, AND TONAL INTEGRITY. THE DI-BOND BACKING PROVIDES A CLEAN, RIGID STRUCTURE THAT ALLOWS THE PIECE TO FEEL LESS LIKE A PRINT AND MORE LIKE AN OBJECT.
SELECT WORKS ARE OFFERED IN LIMITED EDITIONS OF 25, REGARDLESS OF SIZE. ONCE THE EDITION IS COMPLETE, THE IMAGE IS RETIRED. EACH PRINT IS SIGNED, NUMBERED, AND ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY.
FUJIFLEX CRYSTAL ACRYLIC IS A HIGH-CLARITY, MUSEUM-GRADE PRESENTATION MATERIAL THAT BRINGS DEPTH, LUMINOSITY, AND PRECISION TO THE IMAGE. FACE-MOUNTED BENEATH 1/4” ACRYLIC AND FINISHED WITH A CLEAN DI-BOND BACKING, IT HAS A SLEEK, ARCHITECTURAL PRESENCE — POLISHED, MODERN, AND QUIETLY STRIKING.
THE SURFACE HOLDS COLOR, LIGHT, AND DETAIL WITH EXCEPTIONAL CLARITY, WHILE THE NON-GLARE FINISH SOFTENS REFLECTIONS FOR A MORE SUBTLE, REFINED VIEWING EXPERIENCE. IT GIVES THE WORK A SENSE OF DEPTH AND STILLNESS THAT FEELS BOTH CONTEMPORARY AND IMMERSIVE.
“Even more beautiful in person—soft, calm, and quietly powerful.”
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Because each limited-edition print is produced to order, all sales are final.
If your artwork arrives damaged or incorrect, please contact us within 3 days for assistance. -
Each piece is produced to order and typically requires 5–10 business days.
This allows time for precise color management, printing, and quality inspection. -
Some artworks may be available in alternate sizes within their edition limits.
If you have a specific dimension in mind, please inquire — we’re always happy to explore possibilities. -
Absolutely. Just leave a note at checkout— we’ll exclude pricing and can add a handwritten message.
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Yes. Every artwork is offered as a limited edition of 25, regardless of size.
Once an edition sells out, it is permanently retired.Each print is individually numbered and verified by the studio, and includes a certificate of authenticity.