Halo was taken in Death Valley when the Badwater Basin salt flats flood and turn reflective enough to pull the mountains, sky, and people into the same plane.
The light formed a soft halo in the distance, which is where the piece gets its name, and the whole scene felt surreal in a way that was both unifying and peaceful.
It’s an open, atmospheric piece—less about the landscape as a landmark and more about that rare feeling of everything briefly holding together in one surface.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
Halo was taken in Death Valley when the Badwater Basin salt flats flood and turn reflective enough to pull the mountains, sky, and people into the same plane.
The light formed a soft halo in the distance, which is where the piece gets its name, and the whole scene felt surreal in a way that was both unifying and peaceful.
It’s an open, atmospheric piece—less about the landscape as a landmark and more about that rare feeling of everything briefly holding together in one surface.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Salted Ink
