A bold statement in subtle texture.
Gilded Tides collection
Obsidian was taken at 9:25, when the water had gone almost black and the last light was only catching in small flashes across the surface.
The darker tones give it some weight, but the gold keeps it open, so the whole piece lands somewhere between depth and glow.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Obsidian was taken at 9:25, when the water had gone almost black and the last light was only catching in small flashes across the surface.
The darker tones give it some weight, but the gold keeps it open, so the whole piece lands somewhere between depth and glow.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Named for the time of day it was taken, when the water was still dark enough to hold some weight but already catching streaks of warm light.
The surface feels almost like fabric here—creased, moving, and lit in flashes of ochre and copper.
It’s a darker abstract, grounded and atmospheric, with just enough warmth running through it to keep the whole piece open.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Taken at 6:57am, the surface folds over itself in deep blue-black tones, with streaks of copper light catching just enough to break through.
It feels elemental and a little cinematic—more like weather or mood than a literal seascape—and works as an abstract piece that brings depth, movement, and warmth into a room.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Photographed at 7:14pm, Sunspill catches the water right when the light starts breaking apart on the surface and turning into scattered gold.
The darker waves keep it grounded, while the highlights give it that lit-from-within feel that makes the whole piece read more like mood than landscape.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Golden Hour was taken at 9:26pm, in that brief stretch when the light turns rich and low and the water starts carrying all of it back.
The surface shifts between gold, shadow, and movement, turning a simple moment into something almost abstract.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
Auric was taken at 21:27, in that small window when the day is starting to slip out but the water is still holding onto all the warmth.
The light lands in a long gold path across the surface, turning the whole scene into texture, movement, and glow more than anything literal.
It’s simple, warm, and a little hypnotic—an easy coastal piece that feels calm without disappearing.
Frameless Acrylic
1/4" frameless acrylic with white vinyl backing
Hand-polished, crystal-clear edges
Glossy dimensional surface
French cleat backing for easy, secure installation
Vertical orientation
Collection: Gilded Tides
FUJIFLEX CRYSTAL ACRYLIC IS A HIGH-CLARITY, MUSEUM-GRADE PRESENTATION MATERIAL THAT BRINGS DEPTH, LUMINOSITY, AND PRECISION TO THE IMAGE. FACE-MOUNTED BENEATH 1/4” ACRYLIC AND FINISHED WITH A CLEAN DI-BOND BACKING, IT HAS A SLEEK, ARCHITECTURAL PRESENCE — POLISHED, MODERN, AND QUIETLY STRIKING.
THE SURFACE HOLDS COLOR, LIGHT, AND DETAIL WITH EXCEPTIONAL CLARITY, WHILE THE NON-GLARE FINISH SOFTENS REFLECTIONS FOR A MORE SUBTLE, REFINED VIEWING EXPERIENCE. IT GIVES THE WORK A SENSE OF DEPTH AND STILLNESS THAT FEELS BOTH CONTEMPORARY AND IMMERSIVE.
EACH PRINT IS PRODUCED USING ARCHIVAL PIGMENT INKS AND MUSEUM-GRADE MATERIALS FOR LONGEVITY, STABILITY, AND TONAL INTEGRITY. THE DI-BOND BACKING PROVIDES A CLEAN, RIGID STRUCTURE THAT ALLOWS THE PIECE TO FEEL LESS LIKE A PRINT AND MORE LIKE AN OBJECT.
SELECT WORKS ARE OFFERED IN LIMITED EDITIONS OF 25, REGARDLESS OF SIZE. ONCE THE EDITION IS COMPLETE, THE IMAGE IS RETIRED. EACH PRINT IS SIGNED, NUMBERED, AND ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY.
“The attention to detail and commitment to quality truly stood out.
We’ve already recommended to others.”
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Because each limited-edition print is produced to order, all sales are final.
If your artwork arrives damaged or incorrect, please contact us within 3 days for assistance. -
Each piece is produced to order and typically requires 5–10 business days.
This allows time for precise color management, printing, and quality inspection. -
Some artworks may be available in alternate sizes within their edition limits.
If you have a specific dimension in mind, please inquire — we’re always happy to explore possibilities. -
Absolutely. Just leave a note at checkout— we’ll exclude pricing and can add a handwritten message.
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Yes. Every artwork is offered as a limited edition of 25, regardless of size.
Once an edition sells out, it is permanently retired.Each print is individually numbered and verified by the studio, and includes a certificate of authenticity.